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The Descent - Only at Wild and Woolly
Take one part of The Discovery Channel’s, I
Shouldn’t Be Alive, add one part, Aliens and you have The Descent.
Sometime this summer Lions Gate throws another horror movie in the path
of the general public. I have a love/hate relationship with Lions Gate.
I admire they’ll put out movies deemed too controversial by the
major studios. Then again I had to sit through Saw twice. I’m
so sick of people trying to defend Saw. The movie had plot holes so
big you could serve Carnie Wilson dinner through them. Seriously, how
does a man with terminal cancer (brain tumor) find the strength to set
up elaborate traps and kidnap numerous full-grown people? Fart.
But this isn’t about tricycle riding dolls that shop at Hot Topic.
This about girls lost in a cave. I’m starting to smell a Girls
Gone Wild – Mammoth Cave Edition. Ok maybe not. While the general
premise of people lost in a cave being stalked isn’t new, see
The Cave, The Descent actually looked interesting. Well made even. Then
when I started reading reviews from overseas I got really interested.
So when Wild and Woolly picked up a region 2 DVD I raced right over
to pick it up…then found out it was already checked out. But I
was finally able to pick it up and the only thing between British babes
in distress and me was a fifteen-minute drive and a stop to the liquor
store.
The flick opens up with three friends doing a little white water rafting.
As things look like they might get a bit hairy we see the husband of
one of the rafters standing by the edge of the water (where he BELONGS!).
It’s not said but the point gets across these women get together
every year for some sort of adventure sport. Turns out this one ends
poorly. Very poorly.
Jump forward one year later and the ladies are getting together again.
Oh yeah, it’s ladies spelunking night. But this time there are
more of them. Why? Because this is a horror movie and we need people
to knock off. Like many horror films before, it’s easy to determine
who will die and in what order. I’m sure having an all female
cast was an intentional move but still it’s nice to see a horror
film not filled with screaming women being saved be the hero. Even in
Halloween Jamie Lee Curtis’s character is saved by Donald Pleasance.
Let’s move on to where its dark and we can get wet. I’m
talking about a cave… Our team of Mountain Dew Extremers repel
into a cave through the ceiling. They think they’re on an easy
trip, following a trail that’s been used hundreds of times before.
Only one of the ladies neglects to mention she’s on the hunt for
a new path. I think you see where this is going. There are albino human
like creatures living in the cave and just about everything is below
the food chain of these monsters. Duh.
When people talk about movies like Suspiria they usually bring up Argento’s
use of light and how stylized it is. What I found impressive about The
Descent was how the Director used his lack of lighting. Most of the
movie has intense sense of claustrophobia. Often characters move through
scenes illuminated by one beam of light. The use of flares and glow
sticks work to set mood as well as lighting the set. And when there
is no light to use the night vision on a camcorder is used like the
witches using “the eye” on Clash of the Titans. Dorkiest
thing I’ll say all day.
When you look back to see the other movies made by Neil Marshall it’s
no surprise The Descent works as well as it does. We’re talking
about the guy who made Dog Soldiers here. And just like Dog Soldiers,
The Descent sounds mediocre at best on paper. However once you sit down
and commit, the movie does a spectacular job of blending action and
horror together. If you want to rent a movie that challenges your thinking
keep moving. But if you’re like me and you’re always on
the lookout for well made, tense, blood soaked, horror movies with creepy
creatures… the next hour and a half is perfect for you.
The creatures look great. And when the creatures weren’t around
I found myself absorbed in the story and tight spaces. The Descent is
a genre film but it is more thought out than most genre films. While
the characters are not deep they are relatable. I’m also always
happy to see hands on special effects in this day of CGI. This gives
the movies monster a believability. They look like something that lives
in a cave and not something that lives in a hard drive.
The more I talk about The Descent the more I want to see it again. I
ended up watching it twice when I rented it. The second time was to
show it to a friend who, at the end of the film, exclaimed, “Hell
no! That’s a messed up ending.” No, that’s an ending
written by someone who genuinely loves horror movies.
Thank you Neil Marshall. I can’t wait to see what you make next.
8/10
Andy
Renting Dog Soldiers and The Descent at Wild and Woolly would make a
great double feature. Do note you will need a region free DVD player
to watch The Descent.
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